An adventure of the famous commissioner San Antonio flanked of is eternal right-hand man, Lt. Bérurier.

The plot takes place in 1880, in the city of Rio de Janeiro, following the lives of three strong and determined women. Aurélia, Maria da Glória and Mila are great friends who attend etiquette classes together, but life doesn't take long to put them in completely different directions.

Four episodes preceded with a narrator in the role of psychiatrist who tells some cases of female madness.

A documentary that tries to understand women. About how a hard-working Soviet woman may not achieve the so-called bonus points in sex life.

Dan and Myra Barclay, on vacation in Monte Carlo, are forced to cut short their European visit when Dan is ordered by his company to take charge of a gold mine in South America. Having once experienced the sweet life, Myra can no longer tolerate the rough monotony of life in the mining country, and she runs off with Señor Ortego, the owner of the mine. Myra soon realizes that Ortego's intentions are dishonorable and she decides to return to Dan, but on the way home she is in an accident and loses her memory.

A roundtable conversation was recorded for television in 2007 at the Stockholm International Film Festival.

David, a door to door makeup salesman, falls in love with Sarah, an aspiring photographer, who supports herself as a stripper. In an attempt to impress each other they find themselves entangled in a web of lies, rumors, and misconceptions.

Donne e soldati was an example of a ‘decentralised’ production, far from Rome, something that for the most part Italian cinema didn’t fully succeed in achieving until the 1990s. . In many ways the film, which is both Picaresque and anti-heroic, was too far ahead of its time, and it is often considered the precursor to Monicelli’s L’armata brancaleone. This time out, Ferreri takes the reins as producer of the ill-fated undertaking (the two directors will never make another film); however, Donne e soldati, apart from marking Ferreri’s estrangement from Italian cinema for a number of years, today appears to display earthy and carnivalesque elements that will subsequently influence certain aspects of the Milanese director’s vision.

In Africa a typist if framed for killing the diamond smuggler who betrayed her father.

A widow must take drastic action to prevent her younger son falling too deeply under the influence of his worthless older brother.